The archaeological museum is called Soria Numantino Museum and incorporates many of the findings from the nearby Numancia.
Arose from the fusion of museums and Numantino Provincial de Soria. The Provincial Museum dating from the nineteenth century and was created at the root of the Commissions of historical and artistic heritage which were created with the confiscation of Mendizabal in 1835. Inaugurated in figure museum in 1913. The Numantino was developed in the wake of the study site of Numancia, he began to perform in the decade of the sixties of the nineteenth century and gained force during the years 1906 and 1923. In 1914 establishing the museum was opened in 1919.
In 1932 the museum changed the name to Provincial Museum Christomonism in 1941 and two together while maintaining their independence. In 1968, the union is final and integrates both centers called Museo Provincial de Soria, first, Museo de Soria and finally after Numantino Museum. In 1989 we made a comprehensive reform of the same in the extension of the surface exposure to 7.000m .
The permanent exhibition presents a chronological history of the province of Soria. Start by going to the Lower Palaeolithic and Upper Palaeolithic Solutrean where the piece known as plate Villalba. The deposits of the southwestern province to provide a large quantity of Neolithic. Campanulate culture and the Bronze Age are also represented important pieces as belonging to the deposit Covelda and menhir wake of Villar del Alba.
The Iron Age has obtained representation in various fields, but the highlight of Numancia, and Tiermes Uxama. This period covers the exposure of the upper floors of rooms that make up Section Christomonism.
The Roman occupation, which caused major social and political change. The museum displays the remains from deposits of loa Cuevas de Soria, Burgo's Santervas and Quintanares Rioseco highlighting among others also found in the Numancia.
Visigothic representation there should be places that were already established, as the towns of Numancia, and Tiermes Osma.
There are important pieces Muslim and that his presence was strong in the province where the Brand Media organized with capital in Medinaceli. After the Muslims left the Christian stocking locations in the Romanesque and Gothic art.
The exhibition is also ordered to Christomonism chronological order and divided into three major periods, the old, full tardio and the many pieces in all. Notable funerary offerings fronton where swords and antennas, fibula, chest plate and spirals as well as funeral urns. Also relevant is the ceramic.
The route is accessible for blind and visually impaired people to whom they are addressed a number of pieces and reproductions that can be touched.
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